I recall Hugh Howey’s Wool, which came out of nowhere as a sci-fi dystopian novel of striking originality, but fortunately the intricately unfolding plot was forgotten by me, for now “Silo” boldly attempts a ten-part TV show rendition. Great trepidation accompanied my viewing: how could they possibly convey the eerie nature of the underworld home for 10,000 people, its origins lost in time? I need not have worried. Showrunner Graham Yost has clearly spent unlimited funds on creating an evocative world, cast in dark hues and shrouded in mystery. The plot involves a series of characters, all played impeccably (but with specific mention of Rebecca Ferguson, striking as rebel Juliette), slowly starting to unravel the truth underlying the silo world. Attesting as much to Hugh Howey’s original wonderful plot as to the scriptwriters and directors, each episode is a standalone marvel, compelling, surprising, and inspiring. I commenced the series slowly but towards the end had to binge to satisfy an insatiable urge to discover the next layer of truth. The end-of-season cliffhanger is stunning. Is Silo the best streamer show of the year? Quite possibly.