“Better Oblivion Community Center” brings together the Zen poet of modern rock, Conor Oberst, and talented newcomer Phoebe Bridgers. It’s a quintessential indie package of varied songs, the garage band feel only thinly disguising the huge intelligence and songwriting smarts of this pair. Her reaching tones line up in perfect harmony with his quavering, familiar voice, and they swap leads and mesh choruses as if they’ve been playing and singing together for decades. I can’t tell who contributes how much to the lyrics, but to me the tales of despair or hope could have jumped right out of Oberst’s songbook. It’s hard to select standout tracks but here they are: “Didn’t Know What I Was In For” headlines Bridger’s plaintive hues; check out the lovely dual-voiced plaintive folk-rock of “Dylan Thomas; “Big Black Heart” begins in ruminative form, then roars off into combined grungy cacophony. Splendid, splendid, splendid.